Pleased that Julia Claire Wallace and I will be performing “Women of a Certain Age III” at Vanishing Festival in New Orleans on November 23, 2019.Read more "“Women of a Certain Age III” at Vanishing Festival"
“Tea Toss for Political Favors,” a participatory work that pulverizes public space through a political carnival will be part of Performance Art Houston’s Performance Art Houston – Election Edition. The game starts at 8:00 pmRead more "“Tea Toss for Political Favors” at Performance Art Houston – Election Edition"
“Tea Toss for Political Favors,” a participatory work that explores the destruction of civility in public discourse, will debut at stARTup Fair (Hotel Icon, Houston, Texas) on October 12th. Using “tea” as a jumping off point, this work juxtaposes the ritual of afternoon tea with its use as a metaphor in politics. From the Boston […]Read more "“Tea Toss for Political Favors” at stARTup Houston Art Fair"
Parish Conkling, instructor and program director of Houston Community College’s Philosophy department, and Jeanette Joy Harris were interviewed by Francois Pointeau, host of “Radar Talk Intimate” podcast. They discussed their upcoming 2020 conference, Revolution! Scholars and Artists Rethinking Political Action and the ways in which philosophy and art can work together to reconfigure political space.Read more "“Revolution!” Conference highlighted on Radar Talk Intimate Podcast"
June 14, 2019: Jeanette Joy Harris presented, “Revolution! Scholars and Artists Rethinking Political Action,” at the Frontiers of Democracy conference sponsored by the American Political Science Association & Tisch College of Civic Life, Tufts University.Read more "Revolution! Conference at “Frontiers of Democracy” Conference at Tufts University"
Pleased to announce that Julia Claire Wallace and I will be performing, “Women of a Certain Age II” at PGHPAF5 (Pittsburgh Performance Art Festival.) PGHPAF5 is a free, 2-day festival and will be occurring in 4 venues from August 30-31.Read more "“Women of a Certain Age II” at Pittsburgh Performance Art Festival"
Julia Claire Wallace and I are excited to be participating in ITINERANT Performance Art Festival in NYC over Memorial Day weekend. Our work, “Women of a Certain Age,” will be shown at Queens Museum on Saturday, May 23rd. ______________ New York City welcomes the arrival of ITINERANT, the annual Performance Art Festival NYC, to take […]Read more "“Women of a Certain Age” at ITINERANT Performance Art Festival – NYC"
August 3, 2018: Join me in the next installment of “it is double pleasure to deceive the deceiver,” my on-going project focused on fake news. The next action will take place on Friday, August 3rd in Downtown, and I am looking for participants. By being in this project you are: challenging the idea of fake […]Read more "“Fake News” in Downtown Houston"
On 6 February 2018, “it is double pleasure to deceive the deceiver” will be performed at PAN (Performance Art Night), curated by Jennifer Free and hosted by Performance Art Houston and Experimental Action. This is a participatory piece so – Come on Out! Location: NOTSOUH, 314 Main Street, Houston Time: 9 – 12 pm Cover: […]Read more "“it is double pleasure to deceive the deceiver” at Performance Art Night"
From 4 November to 29 December, “The Political Seducer’s Diary,” an Instagram-based project in collaboration with Performance Art Houston, will begin its run @PerformanceArtHouston. Eight artists from around the world will take residence on the Instagram account and find ways in which to merge performance art, documentation and social media in order to discuss how […]Read more "The Political Seducer’s Diary goes live @PerformanceArtHouston"
“Pink Sneakers and Pussy Hats: The Performative and the Political” Article published in Performance Philosophy’s 5th Birthday compilation: It is impossible to consider the future of performance art without wondering how it fits into a larger political world. We have seen, through works by artists like Suzanne Lacy, that performance has the possibility to ignite […]Read more "“Pink Sneakers and Pussy Hats: The Performative and the Political” featured in Performance Philosophy"
The viability of the spoken word has been reconsidered since the campaign tactics of the 2016 US presidential election have changed the nature of political speech, the platforms by which it is expressed and the means in which its content is corroborated. Leaders name call. Twitter is social communication turned rogue political. Facts and alternate […]Read more "“Participating in Text as Dissent and Distraction” featured in Ryall Contemporary"