CV

Education

  • University of Edinburgh, College of Art (UK), MscR, History of Art, with distinction, emphasis: performance and politics
  • Texas Woman’s University (US), BA, Government (major), Philosophy (minor), summa cum laude

Residencies / Awards / Community

  • Arte Studio Ginestrelle Writing Residency, Assisi, Italy, 2018
  • Hubert Griggs Alexander Memorial Award, “Arendt’s Unbearable Loneliness: Adrian Piper’s ‘The Probable Trust Registry,” New Mexico Texas Philosophical Society, 2018
  • Primo Piano LivinGallery’s “Frammenti Senza Tempo”  show, where “sometimes … nuns of Iona,”  was performed was covered in over 200 international publications, including the New York Times, 2017
  • Experimental Action, performance art biennial, management committee, 2017 – present
  • Bard College, Hannah Arendt Center for Politics and Humanities, Visiting Scholar, 2016
  • International Performance Association, Venice International Performance Art Week, 2016
  • “Vanishing Discotecas” was named in Top Five in Texas by Glasstire Magazine, 2016
  • “Byron’s Strategy,” Union Street Gallery,  Chicago, 3rd place in show

Lectures and Conferences

  • “What is performance art?” Jung Center course, Houston, Texas,  August 2019
  • “Revolution! Scholars and Artists Rethinking Political Action,” panel presentation, Frontiers of Democracy conference, American Political Science Association & Tisch College of Civic Life, Tufts University, Boston, MA, June 2019
  • “Are we all performance artists?” Philosophically Drinking (a public philosophy project), Houston, Texas, 2019
  • “Suzanne Lacy as Rortyan Strong Poet,” New Mexico Texas Philosophical Society Conference, San Antonio, Texas, 2019
  • “Richard Rorty and the Problem of Pluralism,” lecture presented to: Texas Woman’s University, Department of History and Government and University of North Texas, Department of Philosophy
  • “The Participating Body: Spencer Tunick’s ‘Everything She Says Means Everything,” Hannah Arendt Circle, University of California Davis, April 2018
  • “Arendt’s Unbearable Loneliness: Adrian Piper’s ‘The Probable Trust Registry,” New Mexico  Texas Philosophy Association, April 2018
  • “Hannah Arendt’s Origins of Totalitarianism and fascist performance,” Texas Woman’s University, Department of History and Government, 2017
  • “The Imagery of Lynching,” Texas Woman’s University, Department of History and Government, 2017
  • “Performance Art and the work of Simone de Beauvoir,” University of North Texas, Department of Philosophy, 2017
  • “Vanishing Discotecas,” University of Cambridge Centre for Research of Art, Social Sciences and Humanities, ART / MONEY / CRISIS Conference, Cambridge, United Kingdom, 2016
  • “Reenacting War Crime Trials: Performance Artists and a New Form of International Justice,” Centre for Applied Philosophy, Politics and Ethics, Radical Interventions: Politics, Culture, Society Conference, University of Brighton, United Kingdom, 2016
  • “I am an Artist – Not an Activist:” Regina Jose Galindo’s Quien Puede Borran las Huellas and the 2015 Protests for Mexico’s Missing Students,” University of Edinburgh College of Art Postgraduate Research Conference, “Changing Tides,” Edinburgh, United Kingdom, 2016
  • “20th Century Participatory Performance,” University of Edinburgh, College of Art, 2016
  • “Hannah Arendt and the Disney Princesses,” Texas Woman’s University, Department of History and Government, 2016
  • “Artist Adrian Piper Confronts Donald Trump: Can Art Give Us Insight Into How Political Discourse is Failing?” Texas Woman’s University, Department of History and Government, 2016
  • Overview of Simone de Beavoir’s “Ethics of Ambiguity” for University of Edinburgh Continental Reading Group, 2015
  • “Photography as Action: Rethinking Arendtian Action through Diane Arbus’ Photography,” Hannah Arendt Annual Circle Meeting at University of Arkansas, Fayetteville, Arkansas, 2010

Publications and Writings

Portfolio

  • “Women of a Certain Age II,” (Collaboration performance with Julia Claire Wallace), PGHPAF5, Pittsburgh, Pennsylvania, 2019 (upcoming)
  • “Women of a Certain Age,” (Collaboration performance with Julia Claire Wallace), ITINERANT Performance Art Festival, Queens Museum, New York City, New York, 2019
  • it is double pleasure to deceive the deceiver” (participatory performance and visual collection), ongoing
  • “Sometimes … nuns of Iona” (Solo performance), Timeless Fragments | Chromatic vibrations between earth and water, Brindisi, Italy, 2017
  • “ Girls and Guns” (video performance), Performance Art Houston, “The Political Seducer’s Diary,” Houston, Texas, 2017
  • This is where I would cook you dinner” (Solo performance, photography), Our Prime Property, Houston,  Texas, 2017
  • International Performance Association Workshop in conjunction with Venice International Performance Week, 2-hour and 4-hour open performances, Venice, Italy, 2016
  • Tap Dining” (Participatory performance)
    • BowArts “Visions in the Nunnery” Exhibition, London, UK, 2016
    • Unnoticed Art Festival #2, The Netherlands, 2016
  • Vanishing Discotecas” (Photography, Video, and Community Panel)
    • Miami Photo Salon (Art Basel | Miami Beach), group show, Miami, Florida, 2014
    • Lawndale Art Center, solo show, Houston, Texas, 2016
    • Fotofest, Houston, Texas, 2016
    • Panel discussion: Gentrification in East Downtown Houston, 2016
    • Presentation: ART/MONEY/CRISIS, University of Cambridge, 2016
    • Top 5 in Texas, Glasstire Magazine, 2016
  • Aspiring Vacationista” (Solo performance), Travelling Without Doing Harm opening, Elephant Gallery, Los Angeles, California, 2014
  • “Landscape Architect” (Video collaboration with artist Diana-Sofia Estrada)
    • Aurora Picture Show’s 12th Annual Extremely Shorts Film Festival, group show, Houston, Texas
    • Portland Community Media Non-Profit Cable Access Channel, Portland, Oregon
    • Cal Arts MFA Graduate Exhibition, solo show, Los Angeles, California
    • Oxen Rose Gallery, group show, San Francisco, California
  • Byron’s Strategy” (Mixed-media installation: fabric, thread, ribbon, pen)
    • Lawndale Art Center’s Big Show, group show, Houston, Texas
    • Union Street Gallery, group show, Union City, Illinois, Third place in show

Curatorial

Art Reviews

Engagement

This series of presentations was given to a large Texas law firm and discussed the impact that art can make in a professional setting. The small group setting was conducive to discussion and interaction. Topics included:

  • Jeff Koons and Michael Jackson can help us unravel contemporary art
  • If being present works for Marina Abramovic, it might work for you
  • “Isms” can uncover your kryptonite

Dance

  • “Eyes made of stars, flesh made of earth” – Approximate 12 minute, 3 section choreographic work combining Latin and modern dance. This was developed while I was an instructor at University of North Texas and utilized both novice and professional dancers. Novice dancers were students in the Health and Recreation department. Denton, Texas
  • Guest choreographer: Denton Civic Ballet; Denton, Texas
  • Guest choreographer: Cook County Ballet; Gainesville, Texas
  • Joffrey Ballet Summer Intensive; New York City, New York
  • Texas Woman’s University Dance Department; Denton, Texas
  • Denton Civic Ballet artist; Denton, Texas
  • University of North Texas Department of Health & Recreation: Ad junct, Social Dance Instructor; Denton, Texas
  • Denton Ballet Academy: Ballet, Tap, and Jazz Instructor; Denton, Texas
  • The Havana Boys Salsa Band: Salsa Dance Instructor; Dallas, Texas
  • Rob G Latin Jazz Ensemble: Salsa Dance Instructor; Denton, Texas